Home Commercial News 4 things nobody tells you about starting a web design firm

4 things nobody tells you about starting a web design firm

web design firm layout
Image © ronstik – Adobe Stock

Starting a web design firm is really an ideal business. It has low overhead, high demand, and flexible work you can do from anywhere with a laptop and an internet connection. The barrier to entry is low enough that anyone with design skills and some dev knowledge can hang a shingle and start taking clients.

What nobody prepares you for is how different running a web design business is from doing web design work. The skills that make you a good designer have almost no overlap with the skills required to price projects, manage client expectations, protect yourself legally, and build a sustainable operation.

Here are four things that catch most new firm owners off guard.

1. Clients don’t know what they want


The reality is that most clients don’t actually know what they want. They think they know, but then end up changing their mind after they see the first draft. This can obviously become an expensive problem if you aren’t prepared for it.

Building a process that accounts for this saves you tons of frustration. You’ll have to figure out exactly how you do this within your business model, but it should probably include:

  • Discovery phases that dig deeper than surface-level preferences.
  • Wireframes and mockups presented before full design work begins.
  • Defined revision rounds with clear scope.
  • Milestone approvals that lock in decisions before you move to the next phase.

As you build out your processes, aim to improve as you go. You’ll want to push for specificity early. It may feel slower, but it saves time overall.

2. Scope creep will eat your margins


New web design firm owners are especially vulnerable to scope creep because they want to keep clients happy and they haven’t yet learned where to draw the line. Saying no to a request feels like risking the relationship. However, saying yes to every request guarantees you’ll lose money on the project.

The solution is a contract that defines scope precisely and a change order process that handles additions in a very specific way. When a client requests something outside the original scope, the response isn’t no. It’s “absolutely, here’s what that addition costs and how it affects the timeline.” That response respects the client’s request while protecting your margins. Most clients accept it without issue. The ones who push back on every change order are probably going to be problem clients anyway.

It’s important to track your time on every project, even if you’re charging flat rates. The gap between your estimated hours and your actual hours tells you whether your pricing is accurate. Most new firms discover they’re significantly undercharging because they didn’t account for things like communication time and administrative work.

3. You need insurance beyond general liability


Most new firm owners understand that they need general liability insurance. What fewer of them realize is that general liability doesn’t cover the risks most specific to web design work. It covers someone slipping in your office or property damage. It doesn’t cover a client claiming that your work caused them financial harm.

Web design insurance, typically structured as professional liability or errors and omissions (E&O) coverage, protects you against claims arising from your professional services. It can safeguard you in situations where:

  • A website you built goes down and the client loses sales.
  • A design decision creates an accessibility compliance issue that triggers a lawsuit against your client.
  • A plugin you implemented has a security vulnerability that leads to a data breach.
  • A missed deadline causes the client to miss a product launch window.

These are the kinds of claims that web design firms face, and general liability doesn’t cover any of them. Talk to an insurance broker who understands the technology services space. The coverage needs of a web design firm are specific enough that a generalist broker may miss important gaps.

4. Recurring revenue is the only path to stability


Project-based revenue is unstable. You finish a project, collect the final payment, and then you need another project. If the pipeline is healthy, the next one is already lined up. If it isn’t, your income drops to zero until you close the next deal. That cycle is problematic.

The firms that achieve financial stability typically do so by building recurring revenue streams alongside project work. Monthly maintenance retainers are a great option (and they don’t need to be expensive to be valuable). Fifteen clients paying $150 per month for hosting, updates, backups, and minor changes generates $2,250 per month in recurring revenue. That’s money to cover rent, software subscriptions, insurance – whatever you need it to cover.

You’re running a business, not a studio


The transition from freelancer or employee to firm owner requires an identity shift that a lot of creative people resist. You’re not a designer who happens to run a business. You’re now a business owner whose business does design. The distinction matters because the business demands your attention as much as the creative work does.

Neglecting it in favor of the work you enjoy results in a firm that does great work and makes no money. By embracing some of the “surprises” that we’ve highlighted above, you can ensure you’re better prepared for what lies ahead. Good luck.

 

This content is provided for informational purposes only and is not a substitute for professional advice. AFP editorial staff were not involved in the creation of this content.

Support AFP