
The artist’s statement for Light Coming Through, reads:
In these paintings…
. . . . using texture, color, measurement, lines, rhythm, proportion, shape, tonal contrasts—to create a sense of light coming through, or, in its dark version, darkness seeping out, “bleeding”–to come to a “felt,” intuited fullness or completeness.
. . . . to make an object whose qualities can induce, seduce, encourage, allow—thoughtful contemplation, reverie, awareness of mystery, and that can remind the viewer of the “other,” the “inner,” unspoken thoughts, feelings, existence below and beyond the surface and the fleeting.”