
In Roots of Icarus, Minor employs potatoes as a metaphor for drug addiction, using their lifecycle to produce photographic prints. As she grows potatoes in vases, Minor notes that to live, a potato must be buried. Minor says, “Using the potato as a symbol of the addicted body, my work is commentary on the magnitude of the opium epidemic and reflection on the grief and guilt that comes with loving/losing someone to addiction.”
Sarah Phillips’ exhibition, “And All the Things that Grew on the Ground,” involves self-exploration through personal memoirs, poetry and history. Investigating personal as well as cultural and religious rituals, Phillips’ work is performative and gestural. Washing, cleansing and other habitual actions are recurring themes in the work. “This work is about memory, preservation and dissonance,” says Phillips.
The exhibition will be online and in person at the gallery, April 20-May 8. There will also be an artist talk at 6 p.m. Monday, April 19. After May 1, visitors will need to make an appointment to view the exhibition.